Eighteenth-Century Art Worlds

Global and Local Geographies of Art

Inbunden, Engelska, 2019

Av Michael Yonan, Stacey Sloboda, USA) Yonan, Dr. Michael (Professor of Art History/Alan Templeton Endowed Chair in European Art, 1600–1830, University of California at Davis, USA) Sloboda, Dr. Stacey (Paul H. Tucker Professor of Art History, University of Massachusetts Boston

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While the connected, international character of today’s art world is well known, the eighteenth century too had a global art world. Eighteenth-Century Art Worlds is the first book to attempt a map of the global art world of the eighteenth century. Fourteen essays from a distinguished group of scholars explore both cross-cultural connections and local specificities of art production and consumption in Africa, the Americas, Asia, and Europe. The result is an account of a series of interconnected and asymmetrical art worlds that were well developed in the eighteenth century. Capturing the full material diversity of eighteenth-century art, this book considers painting and sculpture alongside far more numerous prints and decorative objects. Analyzing the role of place in the history of eighteenth-century art, it bridges the disciplines of art history and cultural geography, and draws attention away from any one place as a privileged art-historical site, while highlighting places such as Manila, Beijing, Mexico City, and London as significant points on globalized map of the eighteenth-century art world. Eighteenth-Century Art Worlds combines a broad global perspective on the history of art with careful attention to how global artistic concerns intersect with local ones, offering a framework for future studies in global art history.

Produktinformation

Utgivningsdatum2019-02-21
Mått152 x 229 x undefined mm
Vikt585 g
FormatInbunden
SpråkEngelska
Antal sidor312
FörlagBloomsbury Publishing PLC
ISBN9781501335488

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Konsthistoria inom Kultur

List of IllustrationsAcknowledgements1. Mapping Eighteenth-Century Art WorldsStacey Sloboda (University of Massachusetts Boston, USA) and Michael Yonan (University of Missouri, USA)2. Flowering Stone: The Aesthetics and Politics of Islamic Jades at the Qing CourtKristina Kleutghen (Washington University, USA)3. The Market for ‘Western’ Paintings in Eighteenth-Century East Asia: A View from the Liulichang Market in BeijingMichele Matteini (New York University, USA)4. Floating Pictures: The European Dimension to Japanese Art During the Eighteenth CenturyTimon Screech (SOAS, University of London, UK)5. A Chinese Canton? Painting the Local in Export ArtYeewan Koon (University of Hong Kong)6. Pedro Cambón’s Asian Objects: A Transpacific Approach to Eighteenth- Century CaliforniaJ. M. Mancini (Maynooth University, Ireland)7. Making it Ours: Religious Art in Eighteenth-Century Colonial Spanish American NewspapersKelly Donahue-Wallace (University of North Texas, USA)8. Tortoiseshell and the Edge of Empire: Artistic Materials and Imperial Politics in Spain and FranceMari-Tere Álvarez (J. Paul Getty Museum, USA) and Charlene Villaseñor Black (University of California, Los Angeles, USA)9. Other Antiquities: Ancients, Moderns, and the Challenge of China in Eighteenth-Century FranceKristel Smentek (Massachusetts Institute of Technology, USA)10. Drifting through the Louvre: A Local Guide to the French AcademyHannah Williams (Queen Mary University, UK)11. The Art World of the European Grand TourCarole Paul (University of California, Santa Barbara, USA)12. The Imaginative Geographies of Angelo SolimanMichael Yonan (University of Missouri, USA)13. Toward an Itinerant Art History: The Swahili Coast of Eastern AfricaPrita Meier (New York University, USA)14. St. Martin’s Lane in London, Philadelphia, and VizagapatamStacey Sloboda (University of Massachusetts Boston, USA)List of ContributorsBibliographyIndex

This wide-ranging collection of essays is a significant and welcome contribution to an art history which takes the interplay of local and the global as central concerns. It provides new case studies and invites new ways of thinking; together these help us to engage with art outside the frameworks of nations or of 'cultures', and to move forward the conversation around a deeper and richer understanding of this key period.