Del 0 - Critical Cultural Communication

Dangerous Curves

Latina Bodies in the Media

Häftad, Engelska, 2010

AvIsabel Molina-Guzman,Isabel Molina-Guzman

479 kr

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With images of Jennifer Lopez's butt and America Ferrera's smile saturating national and global culture, Latina bodies have become an ubiquitous presence. Dangerous Curves traces the visibility of the Latina body in the media and popular culture by analyzing a broad range of popular media including news, media gossip, movies, television news, and online audience discussions.Isabel Molina-Guzmán maps the ways in which the Latina body is gendered, sexualized, and racialized within the United States media using a series of fascinating case studies. The book examines tabloid headlines about Jennifer Lopez's indomitable sexuality, the contested authenticity of Salma Hayek's portrayal of Frida Kahlo in the movie Frida, and America Ferrera's universally appealing yet racially sublimated Ugly Betty character. Dangerous Curves carves out a mediated terrain where these racially ambiguous but ethnically marked feminine bodies sell everything from haute couture to tabloids.Through a careful examination of the cultural tensions embedded in the visibility of Latina bodies in United States media culture, Molina-Guzmán paints a nuanced portrait of the media's role in shaping public knowledge about Latina identity and Latinidad, and the ways political and social forces shape media representations.

Produktinformation

Utgivningsdatum2010-02-01
Mått152 x 229 x 18 mm
Vikt386 g
FormatHäftad
SpråkEngelska
SerieCritical Cultural Communication
Antal sidor272
FörlagNew York University Press
ISBN9780814757369

Tillhör följande kategorier

Genusvetenskap inom Samhälle och politik
Medievetenskap inom Samhälle och politik
Kulturvetenskap inom Samhälle och politik

Isabel Molina-Guzmán is Professor of Communications and Latina/o Studies at the University of Illinois, Urbana-Champaign. She serves as co-editor of the journal Feminist Media Studies, and is the author of more than two dozen academic articles and two books, including Latinas/Latinos on Television (2018) and Dangerous Curves: Latina Bodies in the Media (2010). Her research expertise on Latinas/Latinos, gender, race, ethnicity and communication has been featured at the 2016 White House Conference on Women and Girls of Color, New York Times, and National Public Radio among other outlets.

Acknowledgments Introduction: Mapping the Place of Latinas in the U.S. Media 1 Saving Elian: Cubana Motherhood, Latina Immigration, and the Nation 2 Disciplining J.Lo: Booty Politics in Tabloid News 3 Becoming Frida: Latinidad and the Production of Latina Authenticity 4 "Ugly" America Dreams the American Dream 5 Maid in Hollywood: Producing Latina Labor in an Anti-immigration Imaginary Conclusion: An Epilogue for Dangerous Curves Notes Bibliography Index About the Author

This compelling study examines the visibility and marketability of Latina actors and characters in tabloids, blogs, telenovelas, movies, and music... [Molina-Guzman] argues that deviation from prescribed images unsettles mainstream viewers, whose notions of identity/sexuality reject foreign or exotic representations. (Choice) Dangerous Curves is an absolutely essential, central, and most insightful component of Latina/o media studies. Molina-Guzman brings together structural, labor, textual, and audience elements to provide a nuanced analysis whose influence will span across communication, media, and Latina/o studies. - Angharad N. Valdivia,University of Illinois, Urbana-Champaign Dangerous Curves is an unswerving look at the flattening out of Latina lives in mainstream media narratives. A must read for anyone interested in understanding why and under what conditions the slightest tear of a stereotype can be perceived as disruptive of the social fabric. - Frances Negron-Muntaner,author of Boricua Pop: Puerto Ricans and the Latinization of American Culture Dangerous Curves remains an engaging and compelling examination of the conflicting demands placed on Latina bodies in the popular imagination. - Magdalena L. Barrera, Camino Real