Legras is one of the most insightful and brilliant scholars of Latin American arts and literature today. Combining cultural-political history, textual and visual analysis, critical theory and psychoanalysis, this book works through the place of antagonism in Latin American modernity. Legras understands antagonism as the event whose emergence rearranges the Latin American real, and art and literature as the discursive sites where the contours of out-of-joint marginalized collective subjects can be traced and interrogated in the very act of dislocating the totalizing fictions put forth by the institutions that sustain the pretense of society as an objective, shared reality. This is an extraordinarily illuminating andintelligent book; it proves that theory can still be deployed as an intempestive form of historical imagination to intervene in the most urgent debates of the present.