Mary Jane Collier (PhD, the University of Southern California) is Professor of Communication at the University of New Mexico. She was editor of volumes 23-25 of The International and Intercultural Communication Annual. She has received, among other awards, the Distinguished Scholarship Award in the International and Intercultural Communication Division of the National Communication Association.

• Contents: Mary Jane Collier: Critical Community Engagement and Dancing with Cultural Difference: Analytical Framework and Research Itinerary – Mary Jane Collier: Dancing with International Development: UN and INGO Community Engagement in Nepal – Mary Jane Collier: Dancing Through Difficult Conversations: Facilitating Community Engagement In Northern Ireland – Cleophas Muneri/Mary Jane Collier: Dancing with Democratization: Civic Spaces of Struggle in Zimbabwe – Karambu Ringera/Mary Jane Collier: Beyond Development to Grassroots Dances: International Peace Initiatives in Kenya – Brandi Lawless/Mary Jane Collier: Dancing in Circles®: Evaluating U.S. Community-Based Initiatives – Brandi Lawless/Mary Jane Collier: Moving Families Out of Poverty – Jaelyn deMaría/Mary Jane Collier: Dances of Neoliberal Resistance and Activism for Land Reclamation: Strategic Community Landscapes in New Mexico – Yea-Wen Chen/Mary Jane Collier: Dancing with Praxis: Collaborating with a Pan-Asian Nonprofit in U.S. Southwest – Mary Jane Collier: Dancing with Difference across the Case Studies: Implications for Community Engagement as Critical/Interpretive Praxis.

«An outstanding undertaking and outcome! The critical praxis framework Collier articulates and illustrates captures the complexities, contradictions, and challenges of community engagement in the neoliberal global context; the framework also calls for fluidity, reflexivity, and innovation that can generate new perspectives and approaches – practical and theoretical – to enhance community-based social justice work. Highly recommended!» (Kathryn Sorrells, Professor, Communication Studies, California State University, Northridge)«Through a better understanding of the complex assumptions, underlying contexts, cultural baggage, historical background, and power relations pertaining to difficult situations, Collier and her coauthors and collaborators take us around the world and back home to places we might know little about. Collier breaks down, in expert fashion, the communicative dimensions that both limit and have the potential to produce mutual self-recognition. Her metaphor of ‘dancing’ with difference captures Collier et al.’s voice – patient, engaging, apt, energetic, willing to move next to and with her subject creatively, artistically, humanistically, sensitively, and performatively. » (Kent A. Ono, Professor and Chair, Communication, University of Utah)

Mary Jane Collier (PhD, the University of Southern California) is Professor of Communication at the University of New Mexico. She was editor of volumes 23-25 of The International and Intercultural Communication Annual. She has received, among other awards, the Distinguished Scholarship Award in the International and Intercultural Communication Division of the National Communication Association.

• Contents: Mary Jane Collier: Critical Community Engagement and Dancing with Cultural Difference: Analytical Framework and Research Itinerary – Mary Jane Collier: Dancing with International Development: UN and INGO Community Engagement in Nepal – Mary Jane Collier: Dancing Through Difficult Conversations: Facilitating Community Engagement In Northern Ireland – Cleophas Muneri/Mary Jane Collier: Dancing with Democratization: Civic Spaces of Struggle in Zimbabwe – Karambu Ringera/Mary Jane Collier: Beyond Development to Grassroots Dances: International Peace Initiatives in Kenya – Brandi Lawless/Mary Jane Collier: Dancing in Circles®: Evaluating U.S. Community-Based Initiatives – Brandi Lawless/Mary Jane Collier: Moving Families Out of Poverty – Jaelyn deMaría/Mary Jane Collier: Dances of Neoliberal Resistance and Activism for Land Reclamation: Strategic Community Landscapes in New Mexico – Yea-Wen Chen/Mary Jane Collier: Dancing with Praxis: Collaborating with a Pan-Asian Nonprofit in U.S. Southwest – Mary Jane Collier: Dancing with Difference across the Case Studies: Implications for Community Engagement as Critical/Interpretive Praxis.

«An outstanding undertaking and outcome! The critical praxis framework Collier articulates and illustrates captures the complexities, contradictions, and challenges of community engagement in the neoliberal global context; the framework also calls for fluidity, reflexivity, and innovation that can generate new perspectives and approaches – practical and theoretical – to enhance community-based social justice work. Highly recommended!» (Kathryn Sorrells, Professor, Communication Studies, California State University, Northridge)«Through a better understanding of the complex assumptions, underlying contexts, cultural baggage, historical background, and power relations pertaining to difficult situations, Collier and her coauthors and collaborators take us around the world and back home to places we might know little about. Collier breaks down, in expert fashion, the communicative dimensions that both limit and have the potential to produce mutual self-recognition. Her metaphor of ‘dancing’ with difference captures Collier et al.’s voice – patient, engaging, apt, energetic, willing to move next to and with her subject creatively, artistically, humanistically, sensitively, and performatively. » (Kent A. Ono, Professor and Chair, Communication, University of Utah)

Mary Jane Collier (PhD, the University of Southern California) is Professor of Communication at the University of New Mexico. She was editor of volumes 23-25 of The International and Intercultural Communication Annual. She has received, among other awards, the Distinguished Scholarship Award in the International and Intercultural Communication Division of the National Communication Association.

• Contents: Mary Jane Collier: Critical Community Engagement and Dancing with Cultural Difference: Analytical Framework and Research Itinerary – Mary Jane Collier: Dancing with International Development: UN and INGO Community Engagement in Nepal – Mary Jane Collier: Dancing Through Difficult Conversations: Facilitating Community Engagement In Northern Ireland – Cleophas Muneri/Mary Jane Collier: Dancing with Democratization: Civic Spaces of Struggle in Zimbabwe – Karambu Ringera/Mary Jane Collier: Beyond Development to Grassroots Dances: International Peace Initiatives in Kenya – Brandi Lawless/Mary Jane Collier: Dancing in Circles®: Evaluating U.S. Community-Based Initiatives – Brandi Lawless/Mary Jane Collier: Moving Families Out of Poverty – Jaelyn deMaría/Mary Jane Collier: Dances of Neoliberal Resistance and Activism for Land Reclamation: Strategic Community Landscapes in New Mexico – Yea-Wen Chen/Mary Jane Collier: Dancing with Praxis: Collaborating with a Pan-Asian Nonprofit in U.S. Southwest – Mary Jane Collier: Dancing with Difference across the Case Studies: Implications for Community Engagement as Critical/Interpretive Praxis.

«An outstanding undertaking and outcome! The critical praxis framework Collier articulates and illustrates captures the complexities, contradictions, and challenges of community engagement in the neoliberal global context; the framework also calls for fluidity, reflexivity, and innovation that can generate new perspectives and approaches – practical and theoretical – to enhance community-based social justice work. Highly recommended!» (Kathryn Sorrells, Professor, Communication Studies, California State University, Northridge)«Through a better understanding of the complex assumptions, underlying contexts, cultural baggage, historical background, and power relations pertaining to difficult situations, Collier and her coauthors and collaborators take us around the world and back home to places we might know little about. Collier breaks down, in expert fashion, the communicative dimensions that both limit and have the potential to produce mutual self-recognition. Her metaphor of ‘dancing’ with difference captures Collier et al.’s voice – patient, engaging, apt, energetic, willing to move next to and with her subject creatively, artistically, humanistically, sensitively, and performatively. » (Kent A. Ono, Professor and Chair, Communication, University of Utah)