Bernd Herzogenrath is a professor of American literature and culture and teaches at the University of Hannover and the University of Cologne, Germany.

• Table of ContentsIntroduction: Browning = Poe + Kant + ... = CinemaBERND HERZOGENRATH      Undoing Make-Believe: The Magic of Cinema in Tod Browning’s FilmsEKKEHARD KNÖRER      In Love with a Nightmare: Disability Imagery and Fascination in The UnknownHIONI KARAMANOS      Cinematic Torture Machines: Tod Browning and MasochismLARS NOWAK      Shaking an Elephant: Sound, Space and Suspense in The Unholy ThreeMICHAEL LAWRENCE      The Black Bird: Mocking DualityF. GWYNPLAINE MACINTYRE      Seeing Through Seeing Through: The Trompe l’Oeil Effect and Bodily Difference in the Cinema of Tod BrowningHUGH S. MANON      The Big City: All of Browning’s Universe in One FilmF. GWYNPLAINE MACINTYRE      Lost in Proto-Performance: West of Zanzibar and the Last Stand of the Primal FatherBJÖRN QUIRING      You’re Better Off Without Your Parents: Where East Is East Seen Through a Daughter’s EyesSARAH DELLMANN      Tod Browning vs. George Melford: Dracula’s DoppelgängerFRANK LAFOND      Browning. Freak. Woman. Stain.EUGENIE BRINKEMA      Mark of the Vampire: Seeing Is BelievingREYNOLD HUMPHRIES      An Incident in the History of Surrealism: On a Sequence in The Devil-DollADRIAN MARTIN      Miracles for Sale and Other Films of Detection and the OccultMARCEL ARBEIT      Filmography      About the Contributors      Index

“remarkable”—National Board of Review.

Bernd Herzogenrath is a professor of American literature and culture and teaches at the University of Hannover and the University of Cologne, Germany.

• Table of ContentsIntroduction: Browning = Poe + Kant + ... = CinemaBERND HERZOGENRATH      Undoing Make-Believe: The Magic of Cinema in Tod Browning’s FilmsEKKEHARD KNÖRER      In Love with a Nightmare: Disability Imagery and Fascination in The UnknownHIONI KARAMANOS      Cinematic Torture Machines: Tod Browning and MasochismLARS NOWAK      Shaking an Elephant: Sound, Space and Suspense in The Unholy ThreeMICHAEL LAWRENCE      The Black Bird: Mocking DualityF. GWYNPLAINE MACINTYRE      Seeing Through Seeing Through: The Trompe l’Oeil Effect and Bodily Difference in the Cinema of Tod BrowningHUGH S. MANON      The Big City: All of Browning’s Universe in One FilmF. GWYNPLAINE MACINTYRE      Lost in Proto-Performance: West of Zanzibar and the Last Stand of the Primal FatherBJÖRN QUIRING      You’re Better Off Without Your Parents: Where East Is East Seen Through a Daughter’s EyesSARAH DELLMANN      Tod Browning vs. George Melford: Dracula’s DoppelgängerFRANK LAFOND      Browning. Freak. Woman. Stain.EUGENIE BRINKEMA      Mark of the Vampire: Seeing Is BelievingREYNOLD HUMPHRIES      An Incident in the History of Surrealism: On a Sequence in The Devil-DollADRIAN MARTIN      Miracles for Sale and Other Films of Detection and the OccultMARCEL ARBEIT      Filmography      About the Contributors      Index

“remarkable”—National Board of Review.

Bernd Herzogenrath is a professor of American literature and culture and teaches at the University of Hannover and the University of Cologne, Germany.

• Table of ContentsIntroduction: Browning = Poe + Kant + ... = CinemaBERND HERZOGENRATH      Undoing Make-Believe: The Magic of Cinema in Tod Browning’s FilmsEKKEHARD KNÖRER      In Love with a Nightmare: Disability Imagery and Fascination in The UnknownHIONI KARAMANOS      Cinematic Torture Machines: Tod Browning and MasochismLARS NOWAK      Shaking an Elephant: Sound, Space and Suspense in The Unholy ThreeMICHAEL LAWRENCE      The Black Bird: Mocking DualityF. GWYNPLAINE MACINTYRE      Seeing Through Seeing Through: The Trompe l’Oeil Effect and Bodily Difference in the Cinema of Tod BrowningHUGH S. MANON      The Big City: All of Browning’s Universe in One FilmF. GWYNPLAINE MACINTYRE      Lost in Proto-Performance: West of Zanzibar and the Last Stand of the Primal FatherBJÖRN QUIRING      You’re Better Off Without Your Parents: Where East Is East Seen Through a Daughter’s EyesSARAH DELLMANN      Tod Browning vs. George Melford: Dracula’s DoppelgängerFRANK LAFOND      Browning. Freak. Woman. Stain.EUGENIE BRINKEMA      Mark of the Vampire: Seeing Is BelievingREYNOLD HUMPHRIES      An Incident in the History of Surrealism: On a Sequence in The Devil-DollADRIAN MARTIN      Miracles for Sale and Other Films of Detection and the OccultMARCEL ARBEIT      Filmography      About the Contributors      Index

“remarkable”—National Board of Review.