Adopting a unique, contextual approach to film, drawing linkages between the political economy, the social and the aesthetic, Clive Nwonka provides a rich and unashamedly complex analysis of Black urban film, a genre that is at best, not taken seriously, and at worst, denigrated and dismissed. Nwonka has produced the most important book on Black British visual culture since Kobena Mercer’s Welcome to the Jungle (1994).