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In this guest-edited issue of Biblical Reception, edited by Diane Apostolos-Cappadona, contributors examine the reception of the bible in art. Most of the contributions focus on biblical women, or on encounters with women in the bible. The volume is roughly chronological in structure, beginning with two pieces on Eve, one of which compares representations of Eve with those of the Virgin Mary, the other which considers how Eve is presented in Islamic texts and images. Following a contribution on Esther and Sarah the volume moves on to consider New Testament texts, with notable focus on women at the peripheries of society (the woman with the hemorrhage in Mark’s gospel and the woman of Samaria). Attention is also paid to representations of Mary Magdalene and of Judith and Salome. The volume concludes with a piece on apocalyptic imagery and the woman clothed with the sun of Revelation 12. Featuring over 50 high quality color images, this volume provides scholarship of the highest level on biblical art.
Guest editor:Diane Apostolos-Cappadona is Professor Emerita of Religious Art and Cultural History at Georgetown University, USA. Biblical Reception Editors:David J.A. Clines is Professor Emeritus of Biblical Studies at the University of Sheffield, UK.J. Cheryl Exum is Professor Emeritus of Biblical Studies at the University of Sheffield, UK.
Table of Contents AbstractsList of ContributorsList of IllustrationsIntroduction Diane Apostolos-CappadonaChapter 1: “Naked or Nurtured: The Breast of Eve, the Breast of Mary”Diane Apostolos-Cappadona, Georgetown UniversityChapter 2: “Images of the First Woman: Eve in Islamic Fal-nama paintings” Zohar Hadromi-Allouche, University of AberdeenChapter 3: “Beauty and Its Beholders: Envisioning Esther and Sarah”Ori Z. Soltes, Georgetown UniversityChapter 4: “Re-visioning Women in Mark’s Gospel”Christine Joynes, Trinity College, OxfordChapter 5: “How Salomé Fell for the Baptist, or John the Baptist as L’Homme Fatale: Artistic Interpretations of a Biblical Narrative”Ela Nutu, Sheffield UniversityChapter 6: “Framing a Heroine: Judith’s Counterparts in Biblical Villains”Andrea Sheaffer, Graduate Theological UnionChapter 7: “Biblical Elegy and Quattrocento Marian Encomium: MarcantonioSabellico’s Carmina de Beata Virgine Maria”John Nassichuk, University of Western OntarioChapter 8: “Theatrical Reliquaries: Afterlives of Saint Mary Magdalene in Early 17thCentury Florence”Kelley Harness, University of MinnesotaChapter 9: “Guercino’s Christ and the Woman of Samaria in the Kimbell Art Museum: The Evolution of Biblical Narrative and Visual Meaning”Heidi Hornik, Baylor UniversityChapter 10: “Picturing the Woman Clothed with the Sun (Rev 12): Images of Apocalyptic Conflict, Piety and Strength”Natasha O’Hear, Institute for Theology, Imagination and the Arts, St. Andrews University
The ten contributors to this beautifully illustrated volume examine the reception of biblical women ranging from Eve to the woman clothed with the sun. In this stellar example of visual exegesis, the points of view vary from that of the artist to that of the viewer, as well as from Jewish, Christian, and Muslim perspectives… Overall, the ten articles illuminate differing angles of visual exegesis, yet cohere well.