Beijing Film Academy Yearbook 2017

The Journal of Beijing Film Academy was first published in 1984. It is edited by the staff of the Department of Film Studies at the Beijing Film Academy and is highly respected for showcasing the foremost research in Chinese cinema and film education.

• Notes on TranslationPrefaceChapter 1: Discussion Panel on the Survival of Film Festivals and Arthouse Cinema Exhibitions in ChinaWu Guanping, Zhang Xianmin, Sha Dan and Yang ChengChapter 2: A Series of Essays on the Historical Experience of Chinese Film Criticism and Its Ongoing ChallengesDai Jinhua, Wang Yichuan, Rao Shuguang, Zhang Yiwu, Zhang Wei, Chen Xuguang and Chen XiaoyunChapter 3: The Ambitious Position of Subjectivity in Mr Six Zhang HuiyuChapter 4: Political Pedagogy, Entertainment and Religious Doctrine: The Triple Identity of Cinema in Republican Era ChinaLui DishanChapter 5: The Awkward Spectator and Dormant Subjectivity: The Reconfiguration and Reconceptualisation of Subjectivity in Film Spectatorship According to the 'Bullet Curtain' PhenomenonZhao YueChapter 6: The Generic Discourse of Taiwanese Social Realist Crime Films (1979–83): An On-Screen Reflection of Taiwan in the 1970sLi YingChapter 7: The 'Suffering Narrative' and New Crude Stage PlayHe LiangChapter 8: Revisit and Re-review: Producing Yan Ruisheng and Rethinking Its Significance in Chinese Film HistoryZhang JuanJuanNotes on ContributorsJournal of BFA Advisory and Editorial BoardNotes on Intellect China Library Series