Beijing Film Academy Yearbook 2017

Inbunden, Engelska, 2019

AvJournal of Beijing Film Academy,Journal Of Beijing Film Academy

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The annual Beijing Film Academy Yearbook showcases the best academic debates, discussions and research from the previous year, as previously published in the highly prestigious Journal of Beijing Film Academy. This volume brings together specially selected articles, appearing for the first time in English, in order to bridge the gap in cross-cultural research in cinema and media studies.The book is the latest in the Intellect China Library series to produce work by Chinese scholars that have not previously been available to English language academia. Covering the subjects of film studies, visual arts, performing arts, media and cultural studies, the series aims to foster intellectual debate and to promote closer cross-cultural intellectual exchanges by introducing important works of Chinese scholarship to readers.

Produktinformation

Utgivningsdatum2019-04-10
Mått178 x 229 x 11 mm
Vikt458 g
FormatInbunden
SpråkEngelska
SerieIntellect China Library
Antal sidor270
FörlagIntellect
ISBN9781783209316
ÖversättareChan, Hiu Man, Ma, Wentao, Chan, Hiu Man (Birmingham City University, UK)

Tillhör följande kategorier

Film inom Kultur
Medievetenskap inom Samhälle och politik
Samhälle och kultur inom Samhälle och politik

Notes on TranslationPrefaceChapter 1: Discussion Panel on the Survival of Film Festivals and Arthouse Cinema Exhibitions in ChinaWu Guanping, Zhang Xianmin, Sha Dan and Yang ChengChapter 2: A Series of Essays on the Historical Experience of Chinese Film Criticism and Its Ongoing ChallengesDai Jinhua, Wang Yichuan, Rao Shuguang, Zhang Yiwu, Zhang Wei, Chen Xuguang and Chen XiaoyunChapter 3: The Ambitious Position of Subjectivity in Mr Six Zhang HuiyuChapter 4: Political Pedagogy, Entertainment and Religious Doctrine: The Triple Identity of Cinema in Republican Era ChinaLui DishanChapter 5: The Awkward Spectator and Dormant Subjectivity: The Reconfiguration and Reconceptualisation of Subjectivity in Film Spectatorship According to the 'Bullet Curtain' PhenomenonZhao YueChapter 6: The Generic Discourse of Taiwanese Social Realist Crime Films (1979–83): An On-Screen Reflection of Taiwan in the 1970sLi YingChapter 7: The 'Suffering Narrative' and New Crude Stage PlayHe LiangChapter 8: Revisit and Re-review: Producing Yan Ruisheng and Rethinking Its Significance in Chinese Film HistoryZhang JuanJuanNotes on ContributorsJournal of BFA Advisory and Editorial BoardNotes on Intellect China Library Series