Beställningsvara. Skickas inom 3-6 vardagar. Fri frakt för medlemmar vid köp för minst 249 kr.
The classic text on Baroque Counterpoint, enlarged and revised, drawing from the master composers of the era.This book teaches Baroque compositional techniques through writing and improvisation exercises and analysis of repertoire examples. It provides readers with a historical outlook by focusing largely on principles taught in treatises from the period 1680–1780. This expanded edition includes new sections with keyboard exercises that provide training in Partimento performance as it was practiced at the time, helping students master Baroque style from the inside. While the focus of the book is on fugue, it also treats chorale preludes, stylized dances, inventions, and trio sonatas. The volume is divided into two parts-basic and advanced- which could be taught in a two-semester sequence. There are various options to introduce material from Part II into Part I for a one-semester course.
Christoph Neidhöfer is Associate Professor in the Department of Music Research at McGill University. Peter Schubert is Professor in the Department of Music Research at McGill University.
AcknowledgmentsPart I: Strict Style 1. Introduction2. Melody or Harmony?3. Harmonizing a Subject in Simple Counterpoint4. Melodic Embellishment in Strict Style5. Variation Techniques6. Imitation at the Unison or Octave7. Imitation at the Fifth8. Remodulation and a Third Entry9. Fugue Exposition10. Tonal Answer11. Thematic Presentations12. Sequences and Episodes13. Laying Out a Whole PiecePart II: Free Style and Advanced Techniques 14. Advanced Embellishment—Free Style15. Chromaticism and Sequences16. Multiple Counterpoint17. Writing an Original Subject18. Stretto19. Other Techniques20. Overall Design and Layout of a FugueAppendixBibliographyIndex