Richard Wittman is Assistant Professor in the Department of History of Art and Architecture at the University of California at Santa Barbara. He is a cultural historian of early modern and modern European architecture and town planning, with secondary interests in theory and the historiography of architecture.

• Introduction Part I: The Academy and the Public 1. A Network for Debate 2. The Aestheticizing Discourse of Print 3. Architecture and Civic Ideals Part II: Architecture, Politics, and Public Life 4. The City as Critical Allegory 5. The Debate on the Place Louis XV and the Louvre Part III: The Impact of Public Debate 6. Marigny's Program 7. A Public for Architecture 8. A New Paradigm for Publicity: 1759-1763 Part IV: The Crisis of Architectural Representation 9. Sainte-Geneviève and the Unravelling of a Tradition 10. Politics and Monuments under Louis XVI 11. Private Interest and the Rhetoric of Public Good 12. The Disrepute of Architecture Conclusion: The Image of Unity

'This book succeeds admirably in clarifying an architectural culture with plenty of original points of view and exciting ideas that place eighteenth-century French architecture in a new perspective, and open new ways to assess and appreciate architectural writing and historiography.' –Freek Scmidt, CAA Reviews

Richard Wittman is Assistant Professor in the Department of History of Art and Architecture at the University of California at Santa Barbara. He is a cultural historian of early modern and modern European architecture and town planning, with secondary interests in theory and the historiography of architecture.

• Introduction Part I: The Academy and the Public 1. A Network for Debate 2. The Aestheticizing Discourse of Print 3. Architecture and Civic Ideals Part II: Architecture, Politics, and Public Life 4. The City as Critical Allegory 5. The Debate on the Place Louis XV and the Louvre Part III: The Impact of Public Debate 6. Marigny's Program 7. A Public for Architecture 8. A New Paradigm for Publicity: 1759-1763 Part IV: The Crisis of Architectural Representation 9. Sainte-Geneviève and the Unravelling of a Tradition 10. Politics and Monuments under Louis XVI 11. Private Interest and the Rhetoric of Public Good 12. The Disrepute of Architecture Conclusion: The Image of Unity

'This book succeeds admirably in clarifying an architectural culture with plenty of original points of view and exciting ideas that place eighteenth-century French architecture in a new perspective, and open new ways to assess and appreciate architectural writing and historiography.' –Freek Scmidt, CAA Reviews

Richard Wittman is Assistant Professor in the Department of History of Art and Architecture at the University of California at Santa Barbara. He is a cultural historian of early modern and modern European architecture and town planning, with secondary interests in theory and the historiography of architecture.

• Introduction Part I: The Academy and the Public 1. A Network for Debate 2. The Aestheticizing Discourse of Print 3. Architecture and Civic Ideals Part II: Architecture, Politics, and Public Life 4. The City as Critical Allegory 5. The Debate on the Place Louis XV and the Louvre Part III: The Impact of Public Debate 6. Marigny's Program 7. A Public for Architecture 8. A New Paradigm for Publicity: 1759-1763 Part IV: The Crisis of Architectural Representation 9. Sainte-Geneviève and the Unravelling of a Tradition 10. Politics and Monuments under Louis XVI 11. Private Interest and the Rhetoric of Public Good 12. The Disrepute of Architecture Conclusion: The Image of Unity

'This book succeeds admirably in clarifying an architectural culture with plenty of original points of view and exciting ideas that place eighteenth-century French architecture in a new perspective, and open new ways to assess and appreciate architectural writing and historiography.' –Freek Scmidt, CAA Reviews