Max Ryynänen is senior lecturer in Theory of Visual Culture at Aalto University Finland. He is the former chair of the Finnish Society for Aesthetics and the editor-in-chief of Popular Inquiry: The Journal of the Aesthetics of Kitsch, Camp and Mass Culture and The Journal of Somaesthetics. He is or has been also on the advisory board of e.g. Nordic Journal of Aesthetics, Terra Aesthetica, ESPES, Aesthetica Universalis, The Journal of Global Popular Culture, and Research in Arts and Education. His latest books include e.g. Learning from Decay: Essays on the Aesthetics of Architectural Dereliction and Its Consumption, Aesthetics in Dialogue, On The Philosophy of Central European Art and Art, Excess, Education. He is also editor of Aesthetic Perspectives on Culture, Politics, and Landscape and a contributor of many journals in varieties of aesthetic theory and cultural studies like Ágalma, Contemporary Aesthetics, Journal of Asia-Pacific Popular Culture and Poetics. Zoltán Somhegyi is an art historian and associate professor of art history at the Károli Gáspár University of the Reformed Church in Hungary. Previously he was based in Sharjah, United Arab Emirates and was working as chair of the department of fine arts of the College of Fine Arts and Design of the University of Sharjah. He was the secretary general (2016–2022) and still is the website editor of the International Association for Aesthetics (IAA), member of the Executive Committee of the International Council for Philosophy and Human Sciences (CIPSH) and consultant of Art Market Budapest: International Contemporary Art Fair. He is advisory and editorial board member of numerous academic journals of aesthetics. His recent books include Reviewing the Past: The Presence of Ruins, Aesthetics in Dialogue: Applying Philosophy of Art in a Global World, Learning from Decay: Essays on the Aesthetics of Architectural Dereliction and Its Consumption and Retracing the Past: Historical Continuity in Aesthetics from a Global Perspective.