Understanding Irne Nmirovsky

A sympathetic, nuanced exploration of the fiction and turbulent life of this best-selling author A best-selling novelist in the 1930s, Irne Nmirovsky (19031942) was rediscovered in 2004, when her Suite Franaise, set during the fall of France and the first year of German occupation, became a popular and critical success both in France and in the United States. Surviving in manuscript form for sixty years after the authors deportation to Auschwitz, the work drew respectful attention as the voice of an early Holocaust victim. However, as remaining portions of Nmirovskys oeuvre returned to print, many twenty-first-century readers were appalled. Works such as David Golder and The Ball were condemned as crudely anti-Semitic, and when biographical details such as her 1938 conversion to Catholicism became known, hostility toward this self-hating Jew deepened. Countering such criticisms, Understanding Irne Nmirovsky offers a sympathetic, nuanced reading of Nmirovskys fiction. Margaret Scanlan begins with an overview of the writers lifeher upper-class Russian childhood, her familys immigration to France, her troubled relationship with her neglectful motherand then traces how such experiences informed her novels and stories, including works set in revolutionary Russia, among the nouveau riche on the Riviera, and in struggling French families and failing businesses during the Depression. Scanlan examines the Suite Franaise and other works that address the rise of fascism and anti-Semitism. Viewing Nmirovsky as a major talent with a distinctive style and voice, Scanlan argues for Nmirovskys keen awareness of the unsettled times in which she lived and examines the ways in which even her novels of manners analyze larger social issues. The Russian Revolution had convinced Nmirovsky that violent liberations led to further violence and repression, that interior freedom required political stability. In 1940, when French democracy had collapsed and many seemed reconciled to the Vichy state, Nmirovskys idea of private freedom faltereda recognition that her last work, Suite Franaise, for all its seeming reticence, makes poignantly clear.