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This book offers, in each case, intimate critical readings which spin out into broad interrogations about knowledge and experience in early modern French literature. It considers the ineffability of some kinds of experience alongside everyday human communication and encounters.
Introduction 1. Longinus 2. The Sublime and the Tragic 3. Theatrical Controversy 4. Corneille's Movements 5. Pascalian 'Connaissance' 6. Knowledge, Experience, and the Uses of ‘Expérience’ for Pascal 7. Embodiments of Experience: Montaigne and Augustine 8. Translations and Reflections 9. The Querelle des Anciens et des Modernes and the Sublime
Gavin Alexander, Emma Gilby, Alexander Marr, University of Cambridge) Alexander, Gavin (Reader in Renaissance Literature, Reader in Renaissance Literature, University of Cambridge) Gilby, Emma (Reader in Early Modern French Literature and Thought, Lecturer in French, University of Cambridge) Marr, Alexander (Reader in the History of Early Modern Art, Reader in the History of Early Modern Art
Gavin Alexander, Emma Gilby, Alexander Marr, University of Cambridge) Alexander, Gavin (Reader in Renaissance Literature, Reader in Renaissance Literature, University of Cambridge) Gilby, Emma (Reader in Early Modern French Literature and Thought, Lecturer in French, University of Cambridge) Marr, Alexander (Reader in the History of Early Modern Art, Reader in the History of Early Modern Art