Routledge Companion to Contemporary European Theatre and Performance

Inbunden, Engelska, 2023

AvRalf Remshardt,Aneta Mancewicz

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This is a comprehensive overview of contemporary European theatre and performance as it enters the third decade of the twenty-first century. It combines critical discussions of key concepts, practitioners, and trends within theatre-making, both in particular countries and across borders, that are shaping European stage practice. With the geography, geopolitics, and cultural politics of Europe more unsettled than at any point in recent memory, this book’s combination of national and thematic coverage offers a balanced understanding of the continent’s theatre and performance cultures. Employing a range of methodologies and critical approaches across its three parts and ninety-four chapters, this book’s first part contains a comprehensive listing of European nations, the second part charts responses to thematic complexes that define current European performance, and the third section gathers a series of case studies that explore the contribution of some of Europe’s foremost theatre makers. Rather than rehearsing rote knowledge, this is a collection of carefully curated, interpretive accounts from an international roster of scholars and practitioners. The Routledge Companion to Contemporary European Theatre and Performance gives undergraduate and graduate students as well as researchers and practitioners an indispensable reference resource that can be used broadly across curricula.

Produktinformation

Utgivningsdatum2023-09-08
Mått174 x 246 x 47 mm
Vikt1 920 g
FormatInbunden
SpråkEngelska
Antal sidor676
FörlagTaylor & Francis Ltd
ISBN9780367535919

Tillhör följande kategorier

Teater inom Kultur
Övriga konstformer inom Kultur

Part 1: Mapping the continent1. AlbaniaErmir Jonka and Evi Stamatiou2. AustriaGabriele C. Pfeiffer and Brigitte Marschall3. BelarusTania Arcimovich4. BelgiumKurt Vanhoutte and Karel van Haesebrouck5. Bosnia and HerzegovinaMaja Milatovic-Ovadia6. BulgariaKamelia Nikolova7. CroatiaUna Bauer and Goran Pavlić8. Cyprus (Greek)Maria Hamali9. Czech RepublicDavid Drozd10. DenmarkAnnelis Kuhlmann11. EstoniaAnneli Saro12. FinlandHanna Korsberg13. FranceEliane Beaufils14. GermanyPeter Marx15. GreeceAvra Sidiropoulou16. HungaryJozefina Komporaly17. IcelandMagnus Thor Thorbergsson18. IrelandTanya Dean19. IsraelNaphtaly Shem-Tov20. ItalyAnna Maria Cimitile21. KosovoJeton Neziraj22. LatviaZane Kreicberga23. LithuaniaJurgita Staniškytė24. MaltaVicki Ann Cremona25. MoldovaPaula Erizanu26. MontenegroJanko Ljomović27. The NetherlandsLiesbeth Groot Nibbelink28. North MacedoniaElena Marchevska29. NorwayIne Therese Berg30. PolandMarcin Kościelniak31. PortugalFrancesca Clare Rayner32. RomaniaJozefina Komporaly33. RussiaJulia Listengarten34. SerbiaMaja Milatovic-Ovadia35. SlovakiaJán Šimko36. SloveniaBarbara Orel37. SpainSimon Breden Santos38. SwedenRikard Hoogland39. SwitzerlandBeate Hochholdinger-Reiterer40. TurkeySeda Ilter41. United KingdomSam Haddow, Hannah Simpson, Anwen Miles Jones, and Trish Reid42. UkraineOlga DanylyukPart 2: Charting themesA. Context43. 1989 and after: East-West intercurrents at the turn of the millenniumVessela S. Warner44. Language, translation, and multilingualismMargherita Laera45. Transnational and translocalBenjamin Fowler46. Staging neoliberal globalization in post-1989 EuropePhilip Hager47. Ecodramaturgies in times of climate crisisKristof van Baarle48. Crisis and activism as performanceIşıl Eğrikavuk49. Brexit and theatreRuud van den Beuken50. Performance in a pandemicLaura BissellB. Cultures of theatre-making51. Performance spaces and spatial performativity: Theatre has left the buildingDorita Hannah52. Sharing spaces: The art of scenography – some European perspectivesBirgit Wiens53. Beyond binaries: Postdramatic theatre and its multimodal textualityAvra Sidiropoulou54. Models of creation and devisingSynne K. Behrnd55. Documentary theatreLiesbeth Groot Nibbelink56. Intermedial theatreChiel Kattenbelt and Aneta Mancewicz57. Contemporary music theatre practices: Changing performative rolesMatthias Rebstock58. RegietheaterPeter M. Boenisch59. Theatre for young audiences in EuropeWolfgang Schneider60. European physical theatreMark EvansC. Inclusive and diverse practices61. How and why? The Post/De-colonial as method in contemporary European theatremeLê yamomo62. Theatrical strategies addressing migrationS. E. Wilmer63. Minorities and representation: Performing the marginsAzadeh Sharifi64. Womxn in performanceEdith Cassiers65. Queer performanceEdith Cassiers66. Disability in performanceSarah Hopfinger67. Amateur theatre in Europe: Organisation, challenges, and values Antine Zijlstra, Vicki Ann Cremona, and Anneli SaroD. institutional structures68. Nation, identity, and theatre – reimagining national theatreZoltán Imre69. Festivals and curationKatia Arfara70. Politics and policies in the performing artsWolfgang Schneider71. Academic (and other) performance research in EuropePeter M. Boenisch72. Performance training in EuropeIsabel Guerrero and Rose Whyman73. Community theatre / participatory theatreAdam Czirak74. Theatre criticism and online culture / new mediaAnette Therese PettersenPart 3: Surveying the creators75. Belarus Free Theatreverity healey76. The postdramatic extravaganza of Viktor Bodó’s theatreVeronika Schandl77. Gianina Cărbunariu, Director-PlaywrightCristina Modreanu78. Emma Dante’s theatre, or the contemporariness of things pastAnna Maria Cimitile79. dreamthinkspeakRebecca McCutcheon80. Oliver Frljić, an artist touching society’s raw nervesTomaž Toporišič81. Marta GórnickaMarcin Kościelniak82. Alvis Hermanis through the lens of postcolonialismEdīte Tišheizere83. Hotel Pro FormaErik Exe Christoffersen and Kathrine Winkelhorn84. Tomi Janežič: Time is a political dimensionZala Dobovšek85. Angélica LiddellRemedios Perni86. Philippe Quesne: Sustainable solutions for living on Earth. Performing alternative habitats and temporary communities on stageChloé Déchery87. Milo RauPeter M. Boenisch88. Tiago Rodrigues: Memory, melancholy, and learning stories by heartRui Pina Coelho89. Kirill Serebrennikov: A poet of the Outside between testimony and political provocationYana Meerzon90. She She Pop: The collective as contentRalf Remshardt91. Theater HORA: Acting autonomously – representation and agency in Disabled TheaterKate Marsh92. The theatre of Rimas Tuminas – Play, romanticism, the absurdRamunė Balevičiūtė93. Lotte van den Berg: Building ConversationLisebeth Groot Nibbelink94. Vegard Vinge and Ida MüllerAndrew Friedman

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