Putting Intellectual Property in its Place

Rights Discourses, Creative Labor, and the Everyday

Inbunden, Engelska, 2014

Av Laura J. Murray, S. Tina Piper, Kirsty Robertson, Canada) Murray, Laura J. (Associate Professor, Department of English, Associate Professor, Department of English, Queen's University, McGill University) Piper, S. Tina (Assistant Professor, Faculty of Law, Assistant Professor, Faculty of Law, University of Western Ontario) Robertson, Kirsty (Assistant Professor, Department of Visual Arts, Assistant Professor, Department of Visual Arts

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Putting Intellectual Property in its Place examines the relationship between creativity and intellectual property law on the premise that, despite concentrated critical attention devoted to IP law from academic, policy and activist quarters, its role as a determinant of creative activity is overstated. The effects of IP rights or law are usually more unpredictable, non-linear, or illusory than is often presumed. Through a series of case studies focusing on nineteenth century journalism, "fake" art, plant hormone research between the wars, online knitting communities, creativity in small cities, and legal practice, the authors discuss the many ways people comprehend the law through information and opinions gathered from friends, strangers, coworkers, and the media. They also show how people choose to share, create, negotiate, and dispute based on what seems fair, just, or necessary, in the context of how their community functions in that moment, while ignoring or reimagining legal mechanisms. In this book authors Murray, Piper, and Robertson define "the everyday life of IP law", constituting an experiment in non-normative legal scholarship, and in building theory from material and located practice.

Produktinformation

Utgivningsdatum2014-01-30
Mått236 x 163 x 27 mm
Vikt524 g
FormatInbunden
SpråkEngelska
Antal sidor224
FörlagOUP USA
ISBN9780199336265

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Laura J. Murray is Associate Professor of English and Cultural Studies at Queen's University. Her work in Indigenous Studies and American Literary History informs her work on copyright law. With Samuel E. Trosow, she is author of Canadian Copyright: A Citizen's Guide (2007, 2013). S. Tina Piper is Assistant Professor of Law at McGill University. Her doctoral dissertation at the University of Oxford explored the relationship between the professionalization of U.K. physicians and their Intellectual Property practices. She has also published on IP practices in the Canadian military, and on how present-day independent music labels in Montreal use and avoid IP law. Kirsty Robertson is Associate Professor of Contemporary Art and Museum Studies in the Department of Visual Arts at the University of Western Ontario. Her research focuses on activism, visual culture, and changing economies.

Contents ; Acknowledgments ; Chapter 1: Introduction ; Chapter 2: Copyright Over the Boarder: Freedom, Commons, Appropriation ; Chapter 3: No One Would Murder for a Pattern: Crafting IP in Online Knitting Communities ; Chapter 4: Growing a Patent Culture: Plant Hormones Research and the National Research Council ; Chapter 5: Exchange Practices Among Nineteenth-century US Newspaper Editors: Cooperation in Competition ; Chapter 6: Copying and the Case of the Legal Profession ; Chapter 7: Cultural Labor in a Small City: Motivations, Rewards, and Social Dynamics ; Chapter 8: The Art of the Copy: Labor, Originality, and Value in the Contemporary Art Market ; Afterword ; Bibliography ; Index