Poetized Criticism

Reason, intuition, and the works of love: departing from metaphysical pessimism, and with a clear focus on the metaphysics of beauty, taken simultaneously as a starting point and background, in this book, they concretize a unifying understanding of the notions of truth value and freedom. Through the recognition of music as the privileged way to access and communicate reality (das Ding an sicht), the possibility and the how of immediate and timeless knowledge is unfolded, something that presupposes a genius epistemology that extrapolates the old logical square, and of scientism, petrified in the paradigm of subject and object mediated by understanding. However, performing the poetized critique demands neologisms, especially mysthesis-mystéthica and metachantics. In this way, instead of perpetuating the old three-dimensional dualism, the author's stylistic boldness suggests a new cosmological interpretation, raised from the intuitive aesthetic, which proposes the pentadimensionality as the new contemporary paradigm of knowledge, accusing the necessary re-dimensioning of the old traditionalist postulates, from the dialogical-dialectical-epistemic imbricated in the metaquantics.