[Alexander] Fisher has written a fascinating, richly detailed, and exceedingly well-documented study. By employing the conceptual framework of the soundscape he opts for a contextually broad and inclusive examination of musi cand music making in Counter-Reformation Bavaria...the reader will likely focus on the richness of concepts, repertories, and published and archival sources that have been brought to light in this remarkable study. Certainly this book will prove foundational for further study of music in Bavaria during this time of religious reexamination and confessional consolidation.