Media of Photography

Häftad, Engelska, 2012

Av Diarmuid Costello, Dominic McIver Lopes, UK) Costello, Diarmuid (University of Warwick, Dominic (University of British Columbia) McIver Lopes, Dominic Mciver Lopes

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Two events in particular occasion this volume on the philosophy of photography: the blurring of boundaries that many took to demarcate photographic technology and practices from other representational and artistic technologies and the invention of digital photography. The purpose of this volume is not to revive older questions by asking what, if anything, still distinguishes photography in the light of these developments, but to consider sundry questions about the materials and tools—or media—of photography from a variety of perspectives. critically examines classic and influential arguments in philosophy of photographyaddresses recent trends in photographic art, such as conceptualism and appropriationhighlights philosophically neglected elements of photographic art, such as performativity and self-portraiturereexamines the role of photographic media in photographic art practicesoffers new perspectives of the impact of digital technologies on photographyexplores the relationship between photographic art and photography in other arts (comics and music) and in sciencebrings a range of philosophical methodologies and traditions into dialogueincorporates extended discussions of the work of important photographers and artists who use photography (e.g. Friedlander, Gursky, Lawlor)illustrates philosophical points with reproductions, many of them not widely knownclosely connects philosophical theory to the details of photographic practiceoffers original and novel theories of the aesthetic, artistic, and epistemic values of photographs

Produktinformation

Utgivningsdatum2012-03-23
Mått178 x 254 x 9 mm
Vikt273 g
FormatHäftad
SpråkEngelska
SerieJournal of Aesthetics and Art Criticism
Antal sidor300
FörlagJohn Wiley and Sons Ltd
ISBN9781118269015

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Diarmuid Costello is Associate Professor of Philosophy at the University of Warwick, Chair of the British Society of Aesthetics and Co-Director of the AHRC 'Aesthetics after Photography' research project. He has co-edited two other collections on photography: Photography after Conceptual Art for Art History (November 2009) and Agency and Automatism for Critical Inquiry (Summer 2012). His articles have appeared in the Journal of Aesthetics and Art Criticism, the British Journal of Aesthetics, Critical Inquiry and Rivista di Estetica. He is working on two longer projects: On Photography and Art after Aesthetics? Dominic McIver Lopes is Distinguished University Scholar and Professor of Philosophy at the University of British Columbia. He is the author of Understanding Pictures (1996), Sight and Sensibility: Evaluating Pictures (2005), and A Philosophy of Computer Art (2009) in addition to papers on such topics as depiction, the ontology of art, theories of art and aesthetic value. He is now revising a manuscript of book entitled Beyond Art while writing another book on four artistic uses of photographic media.

Introduction DIARMUID COSTELLO and DOMINIC McIVER LOPES 1. Transparent Representation: Photography and the Art of Casting PETER ALWARD2. Fiction, Non-fiction and Deceptive Photographic Representation PALOMA ATENCIA-LINARES3. Facing the Camera: Self-Portraits of Photographers as Artists DAWN PHILLIPS4. Photography as Performative Process RICHARD SHUSTERMAN5. Photographic Art: An Ontology Fit to Print CHRISTY MAG UIDHIR6. Digital Pictures, Sampling and Vagueness: The Ontology of Digital Pictures JOHN ZEIMBEKIS7. The Macro and the Micro: Andreas Gursky’s Aesthetics BENCE NANAY8. Artwork and Document in the Photography of Louise Lawler SHERRI IRVIN9. The Question Concerning Photography DIARMUID COSTELLO10. A Musical Photograph? RICHARD BEAUDOIN AND ANDREW KANIA11. Drawings of Photographs in Comics ROY COOK12. Photography and Knowledge SCOTT WALDEN13. Depiction, Detection and the Epistemic Value of Photography LAURA PERINI