Glenys Davies is Honorary Fellow at the School of History, Classics and Archaeology, University of Edinburgh. She has published on a wide range of aspects of Roman art as social history, including Roman funerary art, collections of Roman antiquities, gender, Greek and Roman dress, as well as aspects of the representation of body language in Classical art.

• 1. Introduction; 2. Body language and gender in the Roman world, I: men; 3. Body language and gender in the Roman world, II: women; 4. The standing nude; 5. Clothed standing figures of men; 6. Draped statues of women; 7. Seated statues; 8. Men and women together; 9. Conclusion.

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Glenys Davies is Honorary Fellow at the School of History, Classics and Archaeology, University of Edinburgh. She has published on a wide range of aspects of Roman art as social history, including Roman funerary art, collections of Roman antiquities, gender, Greek and Roman dress, as well as aspects of the representation of body language in Classical art.

• 1. Introduction; 2. Body language and gender in the Roman world, I: men; 3. Body language and gender in the Roman world, II: women; 4. The standing nude; 5. Clothed standing figures of men; 6. Draped statues of women; 7. Seated statues; 8. Men and women together; 9. Conclusion.

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Glenys Davies is Honorary Fellow at the School of History, Classics and Archaeology, University of Edinburgh. She has published on a wide range of aspects of Roman art as social history, including Roman funerary art, collections of Roman antiquities, gender, Greek and Roman dress, as well as aspects of the representation of body language in Classical art.

• 1. Introduction; 2. Body language and gender in the Roman world, I: men; 3. Body language and gender in the Roman world, II: women; 4. The standing nude; 5. Clothed standing figures of men; 6. Draped statues of women; 7. Seated statues; 8. Men and women together; 9. Conclusion.

Select Guide Rating