Filosofiya i metodologiya Magicheskogo Teatra

Eta kniga yavlyaetsya prodolzheniem serii knig o razrabotannom nami v 1990kh g.g. metode, Magicheskom Teatre i Arkhetipicheskikh Tekhnologiyakh. (V.Lebed'ko, E.Naydyenov Magicheskiy Teatr - Metodologiya sozidaniya Dushi, Samara, M-Bakhrakh, 2008; V.Lebed'ko, E.Naydyenov Magicheskiy Teatr: vvedenie v metod Penza, Zolotoe Sechenie 2011; V.Lebed'ko, E.Naydyenov, D.Orekhova, Magicheskiy Teatr i Arkhetipichekie Tekhnologii, Penza, Zolotoe Sechenie, 2013) V dannoy rabote my delaem aktsent, na prezhde vsego filosofskikh i metodologicheskikh aspektakh Magicheskogo Teatra. V Magicheskom Teatre kazhdaya konkretnaya zadacha reshaetsya s oporoy na opredelyennoe filosofskoe uchenie. Pri etom raznye zadachi mogut opirat'sya dazhe na protivorechashchie drug drugu teorii. Eto ob'yasnyaetsya odnim iz metodologicheskikh printsipov MT, printsipom Dominanty A.A.Ukhtomskogo. Tot ili inoy filosofskiy bazis yavlyaetsya dlya Vedushchego Magicheskogo Teatra lish' Vremennoy Dominantoy v ego mirovozzrenii. S odnoy storony, eto povyshaet trebovaniya k obrazovaniyu vedushchego MT, s drugoy storony, metod pozvolyaet reshat' ochen' shirokiy spektr terapevticheskikh, prikladnykh i issledovatel'skikh zadach. Kazhdaya glava posvyashchena otdel'nomu napravleniyu filosofii.