Demonicheskie Obrazy I Motivy Romana M.A.Bulgakova Master I Margarita

Khudozhestvennoe osmyslenie Bulgakovym tekstov russkoy i mirovoy kul'tury vyyavlyaetsya blagodarya izucheniyu genezisa khudozhestvennykh obrazov demonologicheskoy linii Mastera i Margarity. Genealogiya demonicheskikh geroev romana obshirna. Mozhno vydelit' neskol'ko faktorov, opredelivshikh sozdanie infernal'nykh obrazov Mastera i Margarity: zhelanie dat' otvet vremeni, stremlenie samovyrazit'sya, vliyanie stimuliruyushchego konteksta (arkhaika, filosofiya, religiya, literatura). V dannoy rabote my issleduem lish' nekotorye grani genezisa: analiziruem mifologicheskie, religioznye, literaturnye istoki demonicheskikh obrazov i motivov. Poligenetichnost' demonologicheskikh obrazov romana M. A. Bulgakova proyavlyaetsya v sliyanii voedino neskol'kikh kul'turnykh i istoriko-religioznykh traditsiy: elementov rannego khristianstva, zapadnoevropeyskoy srednevekovoy demonologii, slavyanskikh mifologicheskikh predstavleniy Na osnovanii literaturnykh kontaktov proiskhodit khudozhestvenno-filosofskoe osvoenie simvola, traditsii. A v etom zametny nekotorye elementy poetiki iskusstva postmodernizma s kharakternoy dlya nego situatsiey khudozhestvennogo zaimstvovaniya, kogda splav starogo, prezhnego ispol'zuetsya v novom marginal'nom kontekste.