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This innovative textbook applies basic dance history and theory to contemporary popular culture examples in order to examine our own ways of moving in—and through—culture. By drawing on material relevant to students, Dance in US Popular Culture successfully introduces students to critical thinking around the most personal of terrain: our bodies and our identities. The book asks readers to think about: what embodied knowledge we carry with us and how we can understand history and society through that lens what stereotypes and accompanying expectations are embedded in performance, related to gender and/or race, for instance how such expectations are reinforced, negotiated, challenged, embraced, or rescripted by performers and audiences how readers articulate their own sense of complex identity within the constantly shifting landscape of popular culture, how this shapes an active sense of their everyday lives, and how this can act as a springboard towards dismantling systems of oppression Through readings, questions, movement analyses, and assignment prompts that take students from computer to nightclub and beyond, Dance in US Popular Culture readers develop their own cultural sense of dance and the moving body’s sociopolitical importance while also determining how dance is fundamentally applicable to their own identity. This is the ideal textbook for high school and undergraduate students of dance and dance studies in BA and BfA courses, as well as those studying popular culture from interdisciplinary perspectives including cultural studies, media studies, communication studies, theater and performance studies.Chapter 11 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution CC-BY 4.0 license.
Jennifer Atkins is an associate professor of dance at Florida State University.
Introduction Jennifer Atkins and Carlee Sachs-KrookPART I: Popular Dance as Primary Source 1. Locating Popular Dance and Dance in Popular CultureJessica Ray Herzogenrath and Bhumi B. PatelChapter 1 Case Studies:The Invented Choreographies of the Tomahawk Chop Kellen HoxworthPopular Dance Cultural Masters Ariyan JohnsonDo the Hustle: A Saturday Night Reclamation Abdiel JacobsenBestowing Blessings and Cultivating Community: Lion Dancing in Boston’s Chinatown Casey Avaunt ~POP CULTURE CONVERSATION~Watching from Another Place: Outside Perceptions of American Popular CultureElena Benthaus and Dara MilovanovićChapter 1: Next Steps and Your Move!2. Describing Dance, Writing Moving WorldsDahlia LiChapter 2 Case Studies:In the Interest of Health and Cooperation: Women Dancing "The Most Important College Interests" Jessica Ray HerzogenrathDammn Baby! Janet Jackson Dances Pop Feminism Elizabeth BergmanResistance in Rhythm: The Shim Sham Shimmy Kat Echevarría RichterQueerness, Closure, and the Finale Dance in It’s Always Sunny in Philadelphia Miya ShafferChapter 2: Next Steps and Your Move!PART II: Stereotypes and Spectatorship3. Interpreting (Multi)racial Movements in Popular DanceMiya ShafferChapter 3 Case Studies:From a Black Cinderella and Filipino Prince to a Career in Commercial Dance Beverly BautistaPlasticity in Lexus’s Black Panther Commercial: Choreographing Blackness as Other through Visual Echoing Kelly BowkerRiverdance: Remaking Race Natasha Casey~POP CULTURE CONVERSATION~The Law of the Jungle: A Conversation with Philip Ancheta about Performing for Walt Disney WorldChapter 3: Next Steps and Your Move!4. Male Bodies and Masculinity in Popular DanceBrandon Calleja ShawChapter 4 Case Studies:Macho Sensibilities: A Dancer’s Autoethnographic Journey Yebel GallegosThe Nicholas Brothers: Dancing Masculinity in Down Argentine Way (1940) Pamela KrayenbuhlManning the Pit: Techniques of White Masculinity in Hardcore Punk Moshing Emily KaniukaBey-Boy: Channing Tatum, Mimesis, and a Test of Masculinity Nicholas RichardsonChapter 4: Next Steps and Your Move!5. Femininity and Female Empowerment in Commercial Dance: Shakira and J. Lo at Super Bowl LIV Juliet McMainsChapter 5 Case Studies:Subverting Body Ideals: Abject, Tactile Film Style in John Waters’s Hairspray Roxanne HearnDancing Girls and Dance Moms: Performing Femininity on the Dance Competition Stage Karen Schupp#Burberry and the Utility of Black Femininity Ronya-Lee Anderson Toying with Chauvinism: Parody in Anna Nikki’s Pole Classique Routine Carlee Sachs-KrookChapter 5: Next Steps and Your Move!6. Spectacle, the Gaze, and Agency in Popular DanceColleen T. DunaganChapter 6 Case Studies:"Fosse Meets Fetish": When Fosse Goes (Really) Kinky Dara MilovanovićSpectacular Choreographies of Epic Proportions: Ricki Starr the Ballet-Dancing Wrestler Laura Katz RizzoSparkling Subversion Catherine CabeenBelly Dance as Restaurant Entertainment Somya Jatwani~POP CULTURE CONVERSATION~"Far Across the Distance": A Competition Judge’s Perspective from behind the TableMadeline KurtzChapter 6: Next Steps and Your Move!PART III: Recognitions and Revisions7. Popular Dance and Intersectionality Jeremy Guyton and Celeste LanderosChapter 7 Case Studies:Naomi Osaka’s Hafuness and Polycultural Dance MovesMaïko Le Lay"Como La Flor": Selena’s Animation of Intersectional Identity Anabel BordelonGender Is a Drag: Performing Hybridity on RuPaul’s Drag Race’s Maxi Challenge "Prancing with the Queens" Bhumi B. Patel~POP CULTURE CONVERSATION~Resistance, Resilience, Overcoming a Lot: Talking with NaTonia Monét about Performing in the Broadway Musical TinaChapter 7: Next Steps and Your Move!8. Mass Media and Social Circulations of Popular DanceLaura H. C. RobinsonChapter 8 Case Studies:"They’re the Same Picture": Repetition as Political Critique in Instagram Dance MemesMiya Shaffer Legitimization and Circulation of Hip-Hop Dance in "Real Talk: Hip-Hop Education for Social Justice" Maïko Le Lay"Just Stick to the Flamenco": Flamenco on NBC’s World of Dance Amy SchofieldDancing Doctors and TikTok Meme-ography: Pointing Toward Female Health Access Amanda Gabaldon~POP CULTURE CONVERSATION~Everybody has a Dream: Talking with Taz Loft about Filming In the Heights (2021). Chapter 8: Next Steps and Your Move!9. Close Up: Step-Touch in New Orleans Popular DanceRachel Carrico and Latanya D. TignerChapter 9 Case Studies:Is He… You Know…Aaron C. ThomasMeghan Trainor’s "All About That Bass": A White Girl’s Booty Anthem Colleen T. Dunagan B-Girl Sunny and the Performativity of the Gaze Sherril DoddsVarsity Spirit’s Propertied, White Settler Femininity Sammy RothChapter 9: Next Steps and Your Move!10. The Politics of Popular MovementsIrvin Manuel GonzalezChapter 10 Case Studies:New Deal Rhythm: Hollywood Chorus Girls Get PoliticalAnna Waller"To Exist is to Survive Unfair Choices": The OA and Queer Acts of Protest Bhumi B. PatelOrderly Chaos: Moshing in SLC Punk! Adrian S. A. ManningAsserting Indigenous Agency Beyond Colonial Spatialities through RainbowGlitz’s Burlesque Love Medicine Evangelina MaciasChapter 10: Next Steps and Your Move! 11. Popularizing "American-ness"Tria Blu WakpaChapter 11 Case Studies:Ballet at the Movies or Dancing on the Limits of American-ness: Thalia ZanouAnna LeonRomanticizing the Old South in the Confederate PageantTeresa SimoneExperimenting with Lady J: A Trans Take on Drag J. Davenport, PhDWelcome to America: Reassigning Appropriation through Choreography in Soft Power Laura London Waringer~POP CULTURE CONVERSATION~ closet disco: a meditationJeremy GuytonChapter 11: Next Steps and Your Move!