Critical Perspectives on Roman Baroque Sculpture

Häftad, Engelska, 2018

Av Anthony Colantuono, Steven F. Ostrow, Anthony (Johns Hopkins) Colantuono, Steven F. (University of Minnesota) Ostrow

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During the early modern period sculptors experimented with forms, typologies, and materials of their art in unprecedented ways. Sculpture was at the center of theoretical debates concerning the relative merits of the different arts, the differences between ancient and modern art, and the relationship between art and nature. Rome was a major center for these theoretical debates, as well as a locus for patronage and collecting. Sculptors from all over Europe came to Rome to study the remains of the antique past and to practice their art. Critical Perspectives on Roman Baroque Sculpture stakes out a new frontier of research on seventeenth-century sculpture in Rome—a frontier that looks well beyond attributional and technical questions, instead focusing on questions of historical context and criticism including the interaction of sculptural theory and practice; the creative roles of sculptors and their patrons; the relationship of sculpture to its antique models and to contemporary painting; and problems of contextual meaning and reception.Aside from the editors, the contributors are Michael Cole, Julia K. Dabbs, Maarten Delbeke, Damian Dombrowski, Maria Cristina Fortunati, Estelle Lingo, Peter M. Lukehart, Aline Magnien, and Christina Strunck.

Produktinformation

Utgivningsdatum2018-02-01
Mått229 x 254 x 20 mm
Vikt1 157 g
FormatHäftad
SpråkEngelska
Antal sidor288
FörlagPennsylvania State University Press
ISBN9780271061733

Tillhör följande kategorier

Skulptur inom Kultur
Konsthistoria inom Kultur

ContentsList of IllustrationsPrefaceAcknowledgmentsIntroductionSteven F. Ostrow and Anthony Colantuono1The “Accademia dei Scultori” in Late Sixteenth- and Seventeenth-Century RomePeter M. Lukehart2Francesco Mochi: Stone and ScaleMichael Cole3Impossible Apostles: Francesco Mochi’s Saint Peter and Saint Paul for S. Paolo fuori le muraEstelle Lingo4The Poetry of Atomism: Duquesnoy, Poussin, and the Song of SilenusAnthony Colantuono5Orfeo Boselli’s Osservationi della scoltura antica: A Seventeenth-Century Treatise on Sculpture, Its Purpose, and Its Descent into ObscurityMaria Cristina Fortunati6The Sculptural Altarpiece and Its Vicissitudes in the Roman Church Interior: Renaissance Through BaroqueDamian Dombrowski7“For we are made a spectacle unto the world, and to angels, and to men”: Alessandro Algardi’s Beheading of Saint Paul and the Theatricality of MartyrdomMaarten Delbeke8“Appearing to be what they are not”: Bernini’s Reliefs in Theory and PracticeSteven F. Ostrow9The Poisoned Present: A New Reading of Gianlorenzo Bernini’s Rape of ProserpinaChristina Strunck10“Humoring” the Antique: Michel Anguier and the Physiological Interpretation of Ancient Greek SculptureJulia K. Dabbs11On Causes and Effects: Imitating Nature in Seventeenth-Century Sculpture Between Rome and ParisAline MagnienList of ContributorsBibliographyIndex

“The reader is sure to be disappointed that there is not another volume on hand to continue the story through the eighteenth century. Of course, the challenge of this sequel would be to find a similar group of authors who could approach their topics with the highest imagination and argue their points as persuasively—and there would also need to be editors like Colantuono and Ostrow, ones intent on uncovering the nitty-gritty of the era’s sculptural practice.”—C. D. Dickerson III CAA.Reviews