'Offering a near-comprehensive account of recent, intermedial art-practices in Singapore, Counter-cartographies situates its study within a genealogy of spatial governence that extends through colonial technologies of surveillance and extraction, into contemporary regimes of intensive infrastructural development and social control. Advancing expansive, detailed and vivid studies of recent works and artists from Singapore, Leow demonstrates a gift for close reading in the traditional sense – the exposition of selected works and artists, as well as the polyvocality they evoke, are held in balance with the study’s premise on cartographic control.'Tania Roy