Anne Greenfield is Associate Professor of English at Valdosta State University. She is editor of the book collection Interpreting Sexual Violence: 1660-1800, and she has published articles on Restoration and eighteenth-century literature, especially drama. She is Editor-in-Chief of the journal Restoration and Eighteenth-Century Theatre Research.

• Chapter 1: "Unmanning" by Anne GreenfieldSection 1: Sexual ImpotenceChapter 2: "Body Explanations and the Meaning of Impotence in Early Modern England" by Amanda L. Capern and Judith SpicksleyChapter 3: "The Impotent Husband: Debility and Discord in Ned Ward’s Nuptial Dialogues" by Leah BenedictSection 2: Eunuchs and OrientalismChapter 4: "The Fetish, the Phallus, the Fantasy: Orientalism, Symbolic Castration, and the Eighteenth-Century Imaginary" by Nathan GorelickChapter 5: "Eunuchs, Mutes, and the Performance of Anxiety in Orientalist Plays" by Beth Cortese Chapter 6: "Showing the Eunuch: Disability, Sexuality, and Dryden’s All for Love" by Jeremy ChowSection 3: Symbolic UnmanningChapter 7: "Refining the Aura of Subversively Symbolic Castrations: Examining the Depictions of Violent Unmanning in Macklin’s English Bible" by William LevineChapter 8: "Women Running with Scissors: Consummating Castration Anxiety in The Feign’d Courtesans" by Danielle MengeChapter 9: "Masculinity, Performance Anxiety, and Literary Impotence in Charlotte Charke’s The History of Henry Dumont" by Mary Beth HarrisSection 4: Italian CastratiChapter 10: "Between History and Fiction: Representation of Castrati in Gérard Corbiau’s Film, Farinelli, Il Castrato (1994)" by Jeongwon JoeChapter 11: "When Performing Gender Is Non-Conforming: The Need for Archives in the Practice of Theory" by Katherine Arens

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Anne Greenfield is Associate Professor of English at Valdosta State University. She is editor of the book collection Interpreting Sexual Violence: 1660-1800, and she has published articles on Restoration and eighteenth-century literature, especially drama. She is Editor-in-Chief of the journal Restoration and Eighteenth-Century Theatre Research.

• Chapter 1: "Unmanning" by Anne GreenfieldSection 1: Sexual ImpotenceChapter 2: "Body Explanations and the Meaning of Impotence in Early Modern England" by Amanda L. Capern and Judith SpicksleyChapter 3: "The Impotent Husband: Debility and Discord in Ned Ward’s Nuptial Dialogues" by Leah BenedictSection 2: Eunuchs and OrientalismChapter 4: "The Fetish, the Phallus, the Fantasy: Orientalism, Symbolic Castration, and the Eighteenth-Century Imaginary" by Nathan GorelickChapter 5: "Eunuchs, Mutes, and the Performance of Anxiety in Orientalist Plays" by Beth Cortese Chapter 6: "Showing the Eunuch: Disability, Sexuality, and Dryden’s All for Love" by Jeremy ChowSection 3: Symbolic UnmanningChapter 7: "Refining the Aura of Subversively Symbolic Castrations: Examining the Depictions of Violent Unmanning in Macklin’s English Bible" by William LevineChapter 8: "Women Running with Scissors: Consummating Castration Anxiety in The Feign’d Courtesans" by Danielle MengeChapter 9: "Masculinity, Performance Anxiety, and Literary Impotence in Charlotte Charke’s The History of Henry Dumont" by Mary Beth HarrisSection 4: Italian CastratiChapter 10: "Between History and Fiction: Representation of Castrati in Gérard Corbiau’s Film, Farinelli, Il Castrato (1994)" by Jeongwon JoeChapter 11: "When Performing Gender Is Non-Conforming: The Need for Archives in the Practice of Theory" by Katherine Arens

Select Guide Rating

Anne Greenfield is Associate Professor of English at Valdosta State University. She is editor of the book collection Interpreting Sexual Violence: 1660-1800, and she has published articles on Restoration and eighteenth-century literature, especially drama. She is Editor-in-Chief of the journal Restoration and Eighteenth-Century Theatre Research.

• Chapter 1: "Unmanning" by Anne GreenfieldSection 1: Sexual ImpotenceChapter 2: "Body Explanations and the Meaning of Impotence in Early Modern England" by Amanda L. Capern and Judith SpicksleyChapter 3: "The Impotent Husband: Debility and Discord in Ned Ward’s Nuptial Dialogues" by Leah BenedictSection 2: Eunuchs and OrientalismChapter 4: "The Fetish, the Phallus, the Fantasy: Orientalism, Symbolic Castration, and the Eighteenth-Century Imaginary" by Nathan GorelickChapter 5: "Eunuchs, Mutes, and the Performance of Anxiety in Orientalist Plays" by Beth Cortese Chapter 6: "Showing the Eunuch: Disability, Sexuality, and Dryden’s All for Love" by Jeremy ChowSection 3: Symbolic UnmanningChapter 7: "Refining the Aura of Subversively Symbolic Castrations: Examining the Depictions of Violent Unmanning in Macklin’s English Bible" by William LevineChapter 8: "Women Running with Scissors: Consummating Castration Anxiety in The Feign’d Courtesans" by Danielle MengeChapter 9: "Masculinity, Performance Anxiety, and Literary Impotence in Charlotte Charke’s The History of Henry Dumont" by Mary Beth HarrisSection 4: Italian CastratiChapter 10: "Between History and Fiction: Representation of Castrati in Gérard Corbiau’s Film, Farinelli, Il Castrato (1994)" by Jeongwon JoeChapter 11: "When Performing Gender Is Non-Conforming: The Need for Archives in the Practice of Theory" by Katherine Arens

Select Guide Rating