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Ingenious automatons which appeared to think on their own. Dubious mermaids and wild men who resisted classification. Elegant sleight-of-hand artists who routinely exposed the secrets of their trade. These were some of the playful forms of fraud which astonished, titillated, and even outraged nineteenth-century America's new middle class, producing some of the most remarkable urban spectacles of the century.In The Arts of Deception, James W. Cook explores this distinctly modern mode of trickery designed to puzzle the eye and challenge the brain. Championed by the "Prince of Humbug," P. T. Barnum, these cultural puzzles confused the line between reality and illusion. Upsetting the normally strict boundaries of value, race, class, and truth, the spectacles offer a revealing look at the tastes, concerns, and prejudices of America's very first mass audiences. We are brought into the exhibition halls, theaters, galleries, and museums where imposture flourished, and into the minds of the curiosity-seekers who eagerly debated the wonders before their eyes. Cook creates an original portrait of a culture in which ambiguous objects, images, and acts on display helped define a new value system for the expanding middle class, as it confronted a complex and confusing world.
Produktinformation
Utgivningsdatum2001-07-15
Mått156 x 235 x undefined mm
Vikt522 g
FormatHäftad
SpråkEngelska
Antal sidor336
FörlagHarvard University Press
ISBN9780674005914
UtmärkelserNominated for OAH Frederick Jackson Turner Award 2002
James W. Cook is Assistant Professor of History and American Culture at the University of Michigan.
Introduction: Thinking with Tricks 1. The Death and Rebirth of the Automaton Chess-Player 2. The Feejee Mermaid and the Market Revolution 3. Describing the Nondescript 4. Modern Magic 5. Queer Art Illusions Epilogue: Barnum's Ghosts Notes Index
The Arts of Deception is a delight. James Cook's study combines fascinating stories and characters, thorough scholarship, and profound insights into nineteenth-century popular culture.