Del i serien Visual Culture in Early Modernity

Art, Piety and Destruction in the Christian West, 1500–1700

Häftad, Engelska, 2016

1 039 kr

Beställningsvara. Skickas inom 10-15 vardagar. Fri frakt för medlemmar vid köp för minst 249 kr.

Spanning two centuries and two continents, Art, Piety and Destruction in the Christian West, 1500-1700 addresses the impact of religious tensions on art, design, and architecture in the early modern world. Beyond famous works of art such as Kraft's Eucharistic Tabernacle, the volume examines less-studied objects, including church plate and vestments, stained glass, graffiti, and Mexican images of St. Anne, created throughout the sixteenth and seventeenth centuries. The collection's contributors present religious artworks from Germany, England, Italy, France, Spain, and Mexico; the media include sculpture, oil painting, fresco, metalwork, dress, and architecture. Questions of art's destruction, preservation, and censorship are discussed against the ever-present backdrop of religious conflict and varying degrees of tolerance. New information and original perspectives demonstrate the ways in which art illuminates history, and the close links between the changing values of a society and the images it displays to represent itself.

Produktinformation

Utgivningsdatum2016-09-23
Mått174 x 246 x undefined mm
Vikt440 g
FormatHäftad
SpråkEngelska
SerieVisual Culture in Early Modernity
Antal sidor238
FörlagTaylor & Francis Ltd
ISBN9781138274891

Tillhör följande kategorier

Konstböcker inom Kultur
Historia inom Historia och arkeologi
Religion: allmänt inom Filosofi och religion

Contents: Introduction: art and religion: then and now, Virginia Chieffo Raguin; Salvaging saints: the rescue and display of relics in Munich during the early Catholic-Reformation, Jeffrey Chipps Smith; Does religion matter? Adam Kraft's eucharistic tabernacle and Eobanus Hessus, Corine Schleif; You are what you wear (and use, and see): the form of the reform in England, Virginia Chieffo Raguin; Repackaging the past: the survival, preservation and reinterpretation of the windows in St Mary's, Fairford, Gloucestershire, Sarah Brown; Preserving antiquity in a Protestant city: the Maison Carrée in 16th-century NÃ®mes, David Karmon; Destruction or preservation?; the meaning of graffiti on paintings in religious sites, Véronique Plesch; Inquisitorial practices past and present: artistic censorship, the Virgin Mary, and St Anne, Charlene VillaseÃ±or Black; Index.

'... this book should be part of any reading list on objects in the early modern period.' Sixteenth Century Journal 'This bold and distinctive volume is a welcome departure from the traditional historiographical preoccupation with Reformation iconoclasm. It contributes to a recent wave of interest in the modification and re-contextualisation of visual art that occurred in response to the processes of reform and counterreform in the sixteenth and seventeenth centuries, but offers something new by shifting the focus to the reception of artefacts and buildings over time. In so doing it engages in ’a global conversation about the nature of art, religion and cultural property’ (p. 17), exploring the indissoluble connections between art, faith and ideology from the early modern period up to the present day.' English Historical Review