Antigone, Interrupted

Inbunden, Engelska, 2013

Av Bonnie Honig, Illinois) Honig, Bonnie (Northwestern University

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Sophocles' Antigone is a touchstone in democratic, feminist and legal theory, and possibly the most commented upon play in the history of philosophy and political theory. Bonnie Honig's rereading of it therefore involves intervening in a host of literatures and unsettling many of their governing assumptions. Exploring the power of Antigone in a variety of political, cultural, and theoretical settings, Honig identifies the 'Antigone-effect' - which moves those who enlist Antigone for their politics from activism into lamentation. She argues that Antigone's own lamentations can be seen not just as signs of dissidence but rather as markers of a rival world view with its own sovereignty and vitality. Honig argues that the play does not offer simply a model for resistance politics or 'equal dignity in death', but a more positive politics of counter-sovereignty and solidarity which emphasizes equality in life.

Produktinformation

Utgivningsdatum2013-05-02
Mått157 x 235 x 22 mm
Vikt630 g
FormatInbunden
SpråkEngelska
Antal sidor340
FörlagCambridge University Press
ISBN9781107036970
UtmärkelserWinner of C. B. Macpherson Prize, Canadian Political Science Association 2014

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Bonnie Honig is Nancy Duke Lewis Professor of Modern Culture and Media and Political Science at Brown University, Rhode Island. She was formerly Sarah Rebecca Roland Professor in Political Science at Northwestern University, Illinois and Research Professor at the American Bar Foundation, Chicago. She is an award-winning author whose work has been translated into numerous languages and is read by a wide interdisciplinary audience composed of scholars and researchers in political theory, philosophy, classics, gender studies, cultural studies, American studies, comparative literature, critical theory, media studies, law and international relations.

Preface; Introduction; Part I. Interruption: Introduction to Part I: 1. Tragedy, maternalism, ethics: toward an agonistic humanism; 2. 'Antigone versus Oedipus', I: feminist theory and the turn to Antigone; 3. 'Antigone versus Oedipus', II: the directors' agon in Germany in Autumn; Part II. Conspiracy: Introduction to Part II: 4. Mourning, membership, and the politics of exception: plotting Creon's conspiracy with democracy; 5. From lamentation to logos: Antigone's conspiracy with language; 6. Sacrifice, sorority, integrity: Antigone's conspiracy with Ismene; Conclusion.

'Honig's sweeping consideration of how the 'Antigone' is read and misread offers us a new way to approach the pauses, the ellipses, and the frank interruptions that punctuate this classic text. We have all struggled so hard to make the words mean in this or that way that we have perhaps forgotten the more dramatic features of the text in which relationships rupture, words trail off, and events still language. This book offers a trenchant analysis of sovereignty, belonging, and freedom through a perspective at once dramatic, literary, and political. Honig's sustained engagement with contemporary criticism shows how important the figure and text of Antigone is for any effort to think about the risks and the necessity of contestatory democratic culture.' Judith Butler, University of California, Berkeley