An English Anthology

`I was born in Belgium, Im Belgian. / But Belgium was never born in me. So writes Leonard Nolens in `Place and Date, which captures a mood of political and social disillusionment amid a generation of Dutch-speaking Belgians. And throughout this selection we encounter a poet engaged with the question of national identity. Frequently the poet moves into that risky terrain, the firstperson plural, in which he speaks as and for a generation of Flemings, embodying an attitude towards artistic and political commitment that he considers its defining mark. `We curled up dejectedly in the spare wheel of May sixtyeight, he writes in the selections central sequence `Breach. Nolens poetry is haunted by giants of twentieth-century European lyricism, by Rilke, Valry, Neruda, Mandelstam and Celan, with whom he has arguably more affinity than with much poetry from the Dutch-language canon.