Agamemnon in Performance 458 BC to AD 2004

Inbunden, Engelska, 2005

AvFiona Macintosh,Pantelis Michelakis,Edith Hall,Oliver Taplin,University of Oxford) Macintosh, Fiona (Senior Research Fellow at the Archive of Performances of Greek and Roman Drama,University of Oxford) Michelakis, Pantelis (Lecturer in Classics, University of Bristol, and Honorary Fellow, Archive of Performances of Greek and Roman Drama,University of Oxford) Hall, Edith (Leverhulme Professor of Greek Cultural History at the University of Durham, and Co-Director of the Archive of Performances of Greek and Roman Drama,and Fellow of the British Academy) Taplin, Oliver (Professor of Classical Languages and Literature at the University of Oxford

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Aeschylus' Agamemnon, the first play in the Oresteia trilogy, is one of the most influential theatrical texts in the global canon. In performance, translation, adaptation, along with sung and danced interpretations, it has been familiar in the Greek world and the Roman empire, and from the Renaissance to the contemporary stage. It has been central to the aesthetic and intellectual avant-garde as well as to radical politics of all complexions and to feminist thinking. Contributors to this interdisciplinary collection of eighteen essays on its performance history include classical scholars, theatre historians, and experts in English and comparative literature. All Greek and Latin has been translated; the book is generously illustrated, and supplemented with the useful research aid of a chronological appendix of performances.

Produktinformation

Utgivningsdatum2005-12-08
Mått164 x 242 x 31 mm
Vikt1 018 g
FormatInbunden
SpråkEngelska
Antal sidor502
FörlagOUP OXFORD
ISBN9780199263516

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Fiona Macintosh is Senior Research Fellow at the Archive of Performances of Greek and Roman Drama, University of Oxford.Pantelis Michelakis is Lecturer in Classics, University of Bristol, and Honorary Fellow, Archive of Performances of Greek and Roman Drama, University of Oxford.Edith Hall is Leverhulme Professor of Greek Cultural History at the University of Durham, and Co-Director of the Archive of Performances of Greek and Roman Drama, University of Oxford.Oliver Taplin is Professor of Classical Languages and Literature at the University of Oxford, and Fellow of the British Academy.

INTRODUCTION ; 1. Agamemnons in performance ; I. IN SEARCH OF THE SOURCES ; 2. 'Agamemnon' for the ancients ; 3. 'Striking too short at Greeks': the transmission of 'Agamemnon' to the English Renaissance stage ; 4. Clytemnestra versus her Senecan tradition ; 5. Clytemnestra's ghost: the Aeschylean legacy in Gluck's Iphigenia operas ; II. THE MOVE TO MODERNITY ; 6. 'Agamemnon"s influence in Germany: Goethe, Schiller, and Wagner ; 7. Agamemnon: speaking the unspeakable ; 8. Viewing 'Agamemnon' in 19th-century Britain ; 9. OTOTOTOI: Virginia Woolf and 'the naked cry' of Cassandra ; III. THE LANGUAGES OF TRANSLATION ; 10. Translation or transubstantiation ; 11. Staging 'Agamemnon': the languages of translation ; 12. Pasolini's 'Agamemnon': translation, screen version, performance ; 13. The Harrison version: 'so long ago that it's become a song?' ; IV. THE INTERNATIONAL VIEW ; 14. 'Agamemnon' in Russia ; 15. Ariane Mnouchkine and the history of the French 'Agamemnon' ; 16. The chorus of Aeschylus' 'Agamemnon' in modern stage productions: towards the 'performative turn' ; 17. The Millennium Project: 'Agamemnon' in the United States ; EPILOGUE ; 18. Cassandra: the prophet unveiled ; APPENDIX ; 19. 'Agamemnons' on the database

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